momentum

"United Visual Artists' 'Momentum' project comprises a series of 12 objects that slowly oscillate in the dark void of the Barbican Gallery's 90m long Curve space in London. The installation takes its cue from the idea of Foucault's pendulum - an instrument designed to visualise invisible forces, such as the Earth's rotation."  Wallpaper.com 


Source: http://www.wallpaper.com/art/united-visual-artists-meditative-momentum-installation-swings-into-action-at-londons-barbican/7191

morphs

"Bondin's proposal involves a colony of self autonomous creature-like structures, called Morphs, which very slowly navigate public parks. Their moves are not just dictated by a set of pre-programmed rules, they also rely on their physical and social environment.
Morphs exist and wander freely as individual nuclei but they can also join together and adopt certain geometries according to their needs and circumstances."  by Regine at WMMNA

morphs 

bloom

"A sun-tracking instrument indexing time and temperature, “Bloom”, designed Los Angeles based DOSU studio architecture, stitches together material experimentation, structural innovation, and computational form/pattern-making into an environmentally responsive installation."  via http://www.evolo.us/architecture/bloom-by-dosu-is-environmentally-responsive-installation/

bloom.jpg

vivarium

"occupying the main floor of the gallery is a monolithic sunken pyramid that containsa 'vivarium,' an indoor enclosure consisting of a collection of organisms that, in this case, are real, robotic and/or simulated. as a collective, these organisms generate energy capable of transforming a freshwater ecosystem into a brackish one, a process made possible by the permeability controls that the skin of the pyramid produces and the behavior that the 'machine' generates. virtual (digital) organisms mimic the behavior of both the living and 
robotic microorganisms to intensify and ease the process."  via http://www.designboom.com/art/juan-azulay-matter-management-vivarium/


Source: http://www.designboom.com/art/juan-azulay-matter-management-vivarium/

augmented structures

"The project brings together disparate disciplines like sound, architecture and the visual arts which influence one another to such a degree that it is impossible to separate them. While the project reexamines the world in visual and aesthetic terms, in its capacity as an “interdisciplinary transformation” project it also questions the point where art and architecture stand today and the point they might reach in future."  via http://salon2.info/portfolio/augmented-structures

far

"International’s set design – a pinboard of tiny white lights that signals extremes of weather, from blizzard to clear night sky – is an ever-changing marvel.” The Independent, via http://random-international.com/work/far/

far


spectropia

"What if film, rather than being projected from start to finish and proceeding in a straight line, could be reconstructed and performed? Every live visual performance involving video has more or less asked that question. But not every performance tries to convey a narrative in the process. Toni Dove’s Spectropia, coming this weekend to the storied Mixology Festival at New York City’s Roulette, does just that, interweaving a sci-fi storyline across imagined future and past through gesture-controlled, computer-vision activated remix." peter kern via http://createdigitalmotion.com/2012/05/if-movies-didnt-play-forward-toni-dove-r-luke-dubois-make-gestural-live-cinema/

tonidove

atrocity exhibit

"Yes, they’d begun to reverse — the only point of reality was our own minds. It seemed to me that the only way to write about all this was to meet the landscape on its own terms. Useless to try to impose the conventions of the 19th-century realistic novel on this incredible five-dimensional fiction moving around us all the time at high speed. And I tried to develop — and I think successfully — a technique of mine, the so-called condensed novels, where I was able to cross all these events, at right angles if you like. Like cutting through the stem of a plant to expose the cross section of its main vessels. So this technique was devised to deal with this fragmentation and overlay of reality, through the fragmentation of narrative."